Please see additional product images for frame color options. Your chosen design will arrive printed onto quality satin card ready framed in the size & frame color you select. No frame, easels, stands or accessories are included.įramed Option: We have a variety of frame finishes to choose from. Print Only Option: Your chosen design will be printed in the size you select onto quality satin card and posted to you in protective packaging. Select the size you require and then the canvas option. You select the size before you select the print only or framed option.Ĭanvas Sizes: XX Large (A1) 24 x 34 inches | Extra Large (A2) 16 x 24 inches | Large (A3) 12 x 16 inches | Medium (A4) 8 x 12 inches. Print Sizes: XX Large (A1) 24 x 34 inches| Extra Large (A2) 16 x 24 inches | Large (A3) 11 x 14 inches | Medium (A4) 8 x 10 inches | Small (A5) 5 x 7 inches | These dimensions are the sizes of the prints before they're framed. If you cannot find the song you want, you can order it to be created especially for you from our custom prints section here. Please read below for our different options as the sizes vary depending on the option you select. Our designs are available in a choice of sizes, and available as prints, framed prints or as a gallery wrapped ready to hang canvas. Andrew McMahon is an artist who has had a very loyal and passionate following for a very long time.Andrew McMahon In The Wilderness Cecilia And The Satellite White Heart Song Lyric Print Starting with Something Corporate, which offered a piano-led twist on the emo/pop-punk trends of the early 2000s, McMahon has been regarded as a master of melody and a writer capable of churning out fiercely relatable songs. Suffice to say that BuzzFeed hit the nail on the head (for the first and last time) when it labeled “Konstantine” as the emo “Freebird.” When McMahon transitioned his career from Something Corporate into the poppier and more mature Jack’s Mannequin, it was a testament to his talent as a songwriter, his likability as a performer, and the strong personal resonance of his work that just about all of his fans were willing to go along for the ride. Since Jack’s Mannequin ended its three-album journey with 2011’s People & Things, McMahon has only gone further down the pop rabbit hole. Fittingly, it scored Andrew his first charting single on the Billboard Hot 100.Ģ014’s Andrew McMahon in the Wilderness was heavy on synths, big beats, and towering pop hooks. (The song, “Cecilia and the Satellite,” peaked at 96.) The success of “Cecilia” paves the road to Zombies on Broadway, McMahon’s second album under the Wilderness moniker and his purest pop album to date. Indeed, Zombies is the kind of record where at least half the songs could have been the lead single. The actual lead single is the luminescent “Fire Escape,” which splits the difference between where McMahon comes from and where he’s going. The intro and verses are backed by tinkling pianos, while the choruses open up into a skyscraping hook, a colossal bass drop, and a “woah-oh” earworm in the backing vocals. It’s among the catchiest songs McMahon has ever written. Similarly massive are “So Close” and “Brooklyn, You’re Killing Me.” The former offers an infectious danceable beat, while the latter pairs spoken word verses with a big shout-along chorus in a way that recalls parts of “I’m Ready,” from Everything in Transit. With songs this big in his back pocket, it’s honestly remarkable that McMahon hasn’t scored more hits throughout his career.
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